What you'll learn
Getting To know How To Get The Likeness Of The Model
Mixing Skin Tones With Ease
Understanding the hue ,value , edges, chroma or intensity of colour
Anyone can draw or paint if given proper guidance
Requirements
should have interest in drawing and painting
Description
This intensive portrait painting course is designed for dedicated learners interested in mastering the Alla Prima style. In just two sessions, students will skilfully create lifelike portraits by honing their drawing abilities and understanding light and shadow dynamics. The course places a strong emphasis on brushwork techniques and explores the advantages of Oil Paint, including its flexibility, rich colour palette, layering capabilities, and tonal range. Key concepts such as edges, focal point creation, basic colour theory, and the interplay of value and colour relationships are covered in depth. Precision in capturing facial and figure details is highlighted, with tools like plumb lines encouraged for accuracy. The course underscores the power of portraits in conveying individual essence and creating engaging narratives. Whether you're a beginner or an advanced student, if you're committed to consistent practice and eager to expand your artistic skill set, this course is perfect for you.Who Should Take This Course:Students looking to master oil-based portrait painting.Students willing to dedicate a couple of hours daily to their craft.Students motivated to take action and create amazing artwork.Individuals seeking to enhance their skill set with a new artistic technique.This course is suitable for beginners through advanced students.
Overview
Section 1: Introduction
Lecture 1 Introduction
Section 2: Instructor Introduction
Lecture 2 Instructor Introduction
Section 3: Materials & Medium
Lecture 3 Materials & Medium
Section 4: Drawing or Block-in Stage
Lecture 4 Drawing or Block-in Stage
Section 5: Drawing or Block-in Stage Continues
Lecture 5 Drawing or Block-in Stage Continues
Section 6: Pitting the Big Colours Dead Colouring
Lecture 6 Pitting the Big Colours Dead Colouring
Section 7: Mixing The Premix Colours
Lecture 7 Mixing The Premix Colours
Section 8: Variation of Darks
Lecture 8 Variation of Darks
Section 9: Variation of Darks and Lights
Lecture 9 Variation of Darks and Lights
Section 10: Variation of Lights
Lecture 10 Variation of Lights
Section 11: Putting the Colours in the Eyes
Lecture 11 Putting the Colours in the Eyes
Section 12: Putting the Colours in the Fingers
Lecture 12 Putting the Colours in the Fingers
Section 13: Painting the Background
Lecture 13 Painting the Background
Section 14: Oiling in Process
Lecture 14 Oiling in Process
Section 15: Mixing The Premix Skin Tones
Lecture 15 Mixing The Premix Skin Tones
Section 16: Painting the Nose
Lecture 16 Painting the Nose
Section 17: Painting the Nose Continues
Lecture 17 Painting the Nose Continues
Section 18: Painting the Nose Continues
Lecture 18 Painting the Nose Continues
Section 19: Painting the Nose Continues
Lecture 19 Painting the Nose Continues
Section 20: Final Touches of the Nose
Lecture 20 Final Touches of the Nose
Section 21: Painting the Eyes
Lecture 21 Painting the Eyes
Section 22: Painting the Eyes Continues
Lecture 22 Painting the Eyes Continues
Section 23: Final Finishing the Eye
Lecture 23 Final Finishing the Eye
Section 24: Finishing the Eyes Continues
Lecture 24 Finishing the Eyes Continues
Section 25: Oiling in the Lights Area
Lecture 25 Oiling in the Lights Area
Section 26: Painting the Lips
Lecture 26 Painting the Lips
Section 27: Finishing Painting the Lips
Lecture 27 Finishing Painting the Lips
Section 28: Painting the Side of the Face
Lecture 28 Painting the Side of the Face
Section 29: Painting the Side of the Face Continues
Lecture 29 Painting the Side of the Face Continues
Section 30: Painting the Cheek and Chin
Lecture 30 Painting the Cheek and Chin
Section 31: Variation of Shadows
Lecture 31 Variation of Shadows
Section 32: Painting the Forehead
Lecture 32 Painting the Forehead
Section 33: Painting the Forehead and Hair
Lecture 33 Painting the Forehead and Hair
Section 34: Mixing the Skin Tones
Lecture 34 Mixing the Skin Tones
Section 35: Painting the Fingers
Lecture 35 Painting the Fingers
Section 36: Painting the Fingers Continues
Lecture 36 Painting the Fingers Continues
Section 37: Painting the Fingers Continues
Lecture 37 Painting the Fingers Continues
Section 38: Final Finishing Touches
Lecture 38 Final Finishing Touches
For beginners to Advanced learners

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