What you'll learn
1. Preparations and beginning of the performance.
2. Body positions and communication with the audience.
3. Stage layout.
4. How to use the microphone in terms of stage performance.
Requirements
Nothing special, but at least vocal skills and experience on the stage.
Description
This course will lead you all the way from zero to the top of the stage performance.After completing this course you will be able to better communicate with and engage your audience. You will spread the messages of your songs in a much stronger way. You will create memories and be a leader. Technical skills: microphone technique, gesture, bowing, and creating a complete show are fundamental and you will acquire all these skills during the course.What to expect from this course dedicated to stage performance? These are the 12 basic steps any person should know when walking out on the stage. These are approaches to the subject of stage performance from the last 20 years, put together and organized in this course. They represent my conclusions based on careful analysis of a number of successful and unsuccessful stage performances of singers of different stature. Or, what we will actually do is study how to communicate with the audience.In this first part, we will talk about 4 of the basic steps. Section 2 - PREPARATION AND BEGINNING OF PERFORMANCE, section 3 - STAGE SPACE SPLIT, section 4 - BODY POSITION AND COMMUNICATION WITH THE AUDIENCE, section 5 - one of the pillars of my methodology - USING THE MICROPHONE, and section 6 - GENERAL CONCLUSION.
Overview
Section 1: SP S1 - INTRODUCTION OF THE COURSE
Lecture 1 Introduction
Section 2: SP S2 - PREPARATION AND BEGINNING OF PERFORMANCE
Lecture 2 SP S2 L1 - Introduction of the section 2
Lecture 3 SP S2 L2 - Basic positions in the preparation for singing one or several songs,
Lecture 4 SP S2 L3 - When the performance starts and ends?
Lecture 5 SP S2 L4 - When we are talking for mini concert or for a full concert
Lecture 6 SP S2 L5 - Preparation of the ( mini ) concert
Lecture 7 SP S2 L6 - The costume
Lecture 8 SP S2 L7 - Individual concert
Lecture 9 SP S2 L8 - Encore
Lecture 10 SP S2 L9 - In Conclusion
Section 3: SP S3 - BODY POSITION AND COMMUNICATION WITH THE AUDIENCE
Lecture 11 SP S3 L1 - Introduction of the section 3
Lecture 12 SP S3 L2 - Basic body positions
Lecture 13 SP S3 L3 - Basic body positions - in more detail
Lecture 14 PS S3 L4 - Body positions in action
Lecture 15 PS S3 L5 - Start and end in the central part of the stage.
Lecture 16 SP S3 L6 - Left and Right sides of the stage
Lecture 17 SP S3 L7 - End of the song
Lecture 18 SP S3 L8 - Step out of the Stage
Lecture 19 SP S3 L9 - What about stress?
Lecture 20 SP S3 L10 - In Conclusion
Section 4: SP S4 - STAGE SPACE SPLIT
Lecture 21 S4 L1 - Introduction of the section 4
Lecture 22 SP S4 L2 - What is this STAGE?
Lecture 23 SP S4 L3 - What we have on the stage?
Lecture 24 SP S4 L4 - All around the stage
Lecture 25 SP S4 L5 - The parts of the stage
Lecture 26 SP S4 L6 - The Audience parts
Lecture 27 PS S4 L7 - In Conclusion
Section 5: SP S5 - USING THE MICROPHONE
Lecture 28 SP S5 L1 - Introduction of the section 5
Lecture 29 SP S5 L2 - What a microphone is?
Lecture 30 SP S5 L3 - Types of microphones.
Lecture 31 SP S5 L4 - Technical types of microphones.
Lecture 32 SP S5 L5 -Types of microphones by form.
Lecture 33 SP S5 L6 - How to hold the microphone.
Lecture 34 SP S5 L7 - Work with microphone on stand.
Lecture 35 SP S5 L8 - The Exceptions.
Lecture 36 SP S5 L9 - Parasitic ways to holding the microphone.
Lecture 37 SP S5 L10 - How to use the microphone during the performance on the stage.
Lecture 38 SP S5 L11 - Position of the microphone when it is not in use.
Lecture 39 SP S5 L12 - Microphone on the stand.
Lecture 40 SP S5 L13 - One microphone and many performers.
Lecture 41 SP S5 L14 - In Conclusion
Section 6: SP S6 - GENERAL CONCLUSION
Lecture 42 SP S6 L1 - In the end of the course
Student or singing student at a college or university.,A professional who is still having some difficulties communicating with the audience.,If you want to find your kind of uniqueness.,If you have nice things to say to the audience but you just can't do it from the stage.


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